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Figure 1
Figure 2
Figure 1 and 2 from - Holliday, Amy, 2013, amyholliday.blogspot.co.uk
This structure was based in the gift shop of the Design Muesum it gave me the idea of making a tree in the same was relating back to the 'Cinderella tree' also relating back to amy holidays 3D structure of sleeping beauty,1959, film (made out of paper, card and a doll).
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These two photos gave me the idea of perhaps hanging my creations on the ceiling to create a illustrative 3D structure that could interacte with the audience.
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This plastic mould reminded me of alice in wonderland (the white rabbit) even the hole could perhaps relate to the hole which Alice fell down?
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This poece of art work reminds me of the art work from the Tate this technquies could be used for a background.
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These notes were based on the over voice which was played in this section of the gallery.Paul smith - shadow camra is like a visual diary fabric patterns. Milarty clothes (inpirtation) street markets favoure places
Ideas anything around you
Latral thinking
Design in words note taking
Don't look at other peoples work to much
Hot bright colours
Dark room develop photos
Takes camra everywhere
Latral thinking
Design in words note taking
Don't look at other peoples work to much
Hot bright colours
Dark room develop photos
Takes camra everywhere
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This image from Paul Smith's painting/photo collection reminds me of the pigeons eye and the tree with eye illustration I created. I could perhaps develop the illustrations I have already created into a simular appearance as this image?
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These two photo/illustration relates back to the ironic theme that I have researched also comes under sarcasmon. So it can be used in a more general aspect to illustrations.
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This quote links back to the feminist work of Margret Harrison and Tracy Emin.
Tracy Emin - hate and power can be a terrible thing 2004
Textiles
the exhibition I went to (2013) of the schmidheiny gallery includes the theme 'about the subvert materials feminine craft and domestic sphere addressing gender division and political themes' based on level 4, room 8.
This theme relates to me on a personal level as I'm a female and my generation has evolved through this history of the movement.
My first reaction of the room automatically stood out for me as all of the art work was in different media among the use of bring pinks and blues.
The layout of the room isn't in chronological order but the work starts from the art work by annette messager (aint clock wise) - 'the pikes' (1992-3) my first reaction for me depicts death the textile pieces and dolls represent heads on sticks, this is juxtaposed the other art work from the harshness of the dark colours which Messager uses to the bold pinks in Margaret Harrison and Tracey Emin.
Margaret Harrison - homeworks (1977) this piece in particular I fould very interesting as it uses more than one media combining fine art (hands) and textile samples creating a collage like appearance.
The message 'homework: homeworkers (1977) by Margaret Harrison reminds me of it being a chore likewise to written homework students have to produce. Other messages occur on this piece e.g. Exploitation, discrimination and woman. Other artists around the room include the work by rosemarie trockel - untitled (1986) made from wood and acrylic, also tracy emin - 'hate and power can be a terrible thing (2004) there are strong messages depicts in here e.g. 'Permission to fire', 'the worst I could do is betraye', 'I hate women like you', 'rot in hell', 'you have no idea of faith', 'you cruel heartless bitch', 'there's no one in this room who has not through of killing', although these messages reflect depressing cruel message but then are juxtaposed by the colour scheme as Emin uses bright bold statement colours (pinks perhaps representing women)these pieces inspire me to create something out of the ordinary.
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These object made me think back to the rose in beauty and the beast,1991, film
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This illustration in the designs of the year in the making section of how Id picture what the tree would look like in Cindellea.
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Figure 3
Figure 3 from - Kenter,5/7/10,www.spankystokes.com/2010/07/jeremiah-ketner-sdcc-2010-and-beyond.
This piece of art work was by Kid Robot (2006). He invited Paul Smith to a customise it's dunny, a curvy buny with a smooth face. The 'dunny' is a black canvas designed to be repainted and reinterpreted by artist from mNy different backgrounds. Smith created a 3" and 8" version under the Paul Smith jeans label along with limited edition t-shirt.
This object reminds me back to a simular idea which jerimah kenter created he created not only 3D moulds for his own designs but of stitch in LILO and stitch (Disney) making stitch look completely different from what he originally looks like.
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